An odd couple of films here, linked by nothing except that I
saw them in quick succession.
Tomorrowland (subtitled
A World Beyond) is frankly a sprawling
mess of a film which takes a long time to get going and then doesn't seem to
know where it wants to end up, staggering from one plot hole to the next. Despite that, it was worth watching.
It starts very slowly at the end of the story, with Frank
Walker (George Clooney) trying to explain what had happened while being
constantly interrupted by Casey Newton (Britt Robertson – who I remembered from
Under the Dome). So at least we
start by knowing that the two lead characters survive whatever comes next!
Apart from the final couple of minutes, the rest of the film consists of
flashbacks, beginning at the 1964 World Fair in New York with Frank as a boy
inventor who is given a token which gets him into Tomorrowland, a secret futuristic
high-tech city on an alternate Earth, created by recruiting the brightest and
the best and giving them free rein. Then it jumps forward to the present in
which Casey, a technically brilliant teenager, is also given a token which
allows her to experience – but not enter – Tomorrowland. She desperately tries
to find a way to the city but as the pace accelerates, she finds herself chased
by some cartoonish android thugs, then helped by Athena (Raffey Cassidy) who is
obviously rather more (or less) than the young girl she appears to be. At this
point, an elderly and grizzled Frank comes into the picture and the action soon
switches to Tomorrowland, which is also not quite as portrayed, with a
climactic tussle between Frank and Tomorrowland's ruler David Nix (Hugh Laurie)
over the future of the Earth.
I did wonder what the android thugs were about – they
appeared and then disappeared without explanation. Nor was it ever made clear
what Frank had done to be banished from Tomorrowland, apart from inventing a
machine which was still being used. Nor were we told why Tomorrowland had not
lived up to its early expectations. Nor could I understand how this Earth could
be saved by recruiting the most talented people to move to Tomorrowland.
It isn't all bad news, though. It deserves credit for
originality and remained watchable throughout, if only see where on Earth (or
elsewhere) it was going next. There are some entertaining scenes, particularly
the one concerning the Eiffel Tower's rocket ship (what do you mean, you didn't
know it had one?). The highlight for me was an impressive performance by the 13-year-old
Cassidy, who in 2013 was named
in Screen International magazine's Stars of Tomorrow, the youngest to be
featured on the annual list. She's got there already, in my view; in
particular, her final scene was genuinely affecting.
Kingsman: The Secret
Service is on the face of it, not really an SFF film, but it had enough
fantasy elements to justify a mention here. Gary "Eggsy" Unwin (Taron
Egerton), a young man trapped in the lower levels of society, is recruited into
a secret, independent and decidedly snobbish organisation – the Kingsmen –
where he is mentored by Harry Hart (Colin Firth). This organisation sends its
highly trained agents to combat evil wherever they find it. The problem they
are faced with in this film is a plan by billionaire Richmond Valentine (Samuel
L. Jackson) to solve the world's problems in a rather drastic fashion.
The film has a nostalgic appeal, being an updated and rather
more graphic version of 1960s tongue-in-cheek TV series like The Man from U.N.C.L.E. and The Avengers (though sadly without an
Emma Peel). It mixes spectacular fight scenes with sardonic humour, revels in political
incorrectness, and overall is great fun, provided you are not too easily
offended. It has proved highly successful and a sequel is planned for 2017.
2 comments:
I started Tomorrowland, but gave up a short time into the film. It struck me as a typical Disnyish effort and secondly, I was irritated by the brat at the beginning, who is the perfect poster child for the old cliche--children should be seen and not heard.
I feel your pain....
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