Inferno (2016)
Another techno-thriller with a fantasy streak based on a Dan
Brown book, and again featuring Tom Hanks in the role of Robert Langdon, a
university professor with a habit of getting involved in violent adventures. I
read the book long enough ago to have forgotten all but a few snippets of the
plot, so I watched the film unaffected by prior expectations.
The problem with all of these Dan Brown films is that the
book plots are very complex and arcane, with lots of codes and clues to follow
and unpick, which there isn't really time to deal with in a movie-length
production. By and large it was interesting enough to hold my attention but the
ending was particularly rushed, with an extremely improbable explanation for
what had been going on made in one compressed infodump. Not good, but just
about watchable.
The Humanity Bureau
(2018)
I can't recall what prompted me to acquire this one, as it
is not the kind of setting which normally interests me – a post-apocalyptic
dystopia. Much of the USA has become a
semi-desert wasteland for various reasons, environmental devastation apparently
being uppermost. The government seems to be totalitarian (not a lot is spelled
out clearly, most of the background has to be deduced by the viewer) and
everyone is expected to work very hard. Those who are judged insufficiently
productive by the government Humanity Bureau are transported to a planned
settlement, New Eden. What follows contains some spoilers.
Noah Kross (Nicholas Cage) is a Bureau agent whose job is to
travel round interviewing those suspected of being unproductive, to see if they
should go to New Eden. He begins to have doubts about what he is doing as
rumours circulate that New Eden is not the new opportunity it is claimed to be.
This comes to a head when he travels to see a single mother (Sarah Lind) and
her 11 year old son, who he decides to help instead of condemn, putting himself
at odds with his superior officer. It later transpires that the woman is not
the boy's mother, but has acquired her identity along with her son – who's
father is Kross. The trio head for Canada in a forlorn attempt to escape. The
climax of the film is a mix of tragedy and hope.
There are some odd aspects to the plot which indicate that
Kross is not what he appears: he is contacted by people resisting the Humanity
Bureau's operations and supplied with information about New Eden; and near the
end a Canadian border guard remarks that they had been expecting Kross to
arrive bringing evidence about New Eden, suggesting that Kross may have been an
intelligence agent for Canada all along. One ironic aspect is that the Canadian
border is heavily guarded to keep out refugees from the south… no great
surprise to learn that the film is a product of Canada rather than Hollywood!
Whether or not this affected the low critical ratings I don't know. In my
judgement it is not a bad film, just depressing.
Avengers Assemble (2012)
I really
must look at my own blog more often. I watched this film and did not realise at
any point that I had already seen it, and reviewed it on this blog in October
2012. Only a vague air of familiarity prompted me to check my blog index to
reveal the horrible truth: I had wasted a couple of hours, twice over. This
time around, I found it just as tedious and monotonous as I did the first time,
and can now add another description: completely forgettable!
Dr Strange (2016)
A bit different from the usual Marvel Comics superhero fare,
with Benedict Cumberbatch in commanding form as the eponymous surgeon who goes
searching for a mystical cure to the injuries which have ended his career. He
finds more than he expected, and becomes involved in titanic magical battles
between good and evil for the future of the Earth. Except that the good guys
are not entirely good… One of the better films in this franchise, and well
worth watching.
Thor: Ragnarok (2017)
I was
looking forward to this one, having enjoyed the first two of the Thor films. Ragnarok is in most respects
more of the same, but apart for a brief glimpse of a Norwegian cliff-top sadly
lacks any scenes set on Earth – the interaction between the present-day Earth
and the heroes of Asgard being, for me, the most enjoyable aspect of the
earlier films. So what we are left with is various fantasy sets, very good CGI,
and lots of comic-book violence accompanied by loud music. Fortunately, the
humour is retained and enhanced, providing most of the enjoyment.
To ring the
changes a bit (or cross the plot threads) Hulk and Dr Strange make appearances
(the latter foreshadowed at the end of Dr
Strange), and it's always good to see Cate Blanchett in anything. Do not miss the final clip which occurs after
most of the credits have rolled – a great tee-up for the next film!
Black Panther (2018)
Another
product of Marvel Studios, this received universal praise and many award
nominations. To sum up: it deserves the praise, and joins Wonder Woman as one of my top-rated superhero movies. The only
criticism I have is that I initially had some problems remembering who was who,
as there is a large cast of characters who appear from the start and I was
familiar with hardly any of the actors. Which is a good excuse to watch it more
than once! As seems usual these days,
there are final clips inserted in the credits.
2 comments:
we liked "Panther", and "Thor". I've wondered about "Strange"; i think we started watching it once and quit for some reason... mrs. m and me tend to avoid sadistic or cruel productions...
Not sure that "Strange" is a particular offender, but tastes differ!
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