My attention was caught by a review in Interzone 250 of Eidolon,
the first novel by Libby McGugan, together with an interview with the author.
The story sounded promising, so I ordered a copy. The plot is set in the
present day and concerns Robert Strong, a young theoretical physicist who is
contacted by the Observation Research Board, a shadowy but powerful organisation.
ORB presents convincing research evidence that the experiments with the CERN Large
Hadron Collider may result in the creation of "strangelets", sub-atomic
particles which, by interacting with ordinary matter, could destroy our present
reality. However, CERN had dismissed the risk, so ORB wants Strong to sabotage
their research before it is too late.
So far the plot seems like a techno-thriller with a rather
more fundamental plot than most, and (as far as I am competent to judge) the
author has done her research into theoretical physics while displaying her
knowledge with a light touch that doesn't distract from the story. What struck
me first about the novel is how beautifully and intelligently written it is,
how full of perceptive observations. It's difficult to write a lot more without
spoilers, so all I will say is that the plot develops in very unexpected and
increasingly strange directions that compel Strong to question his
understanding of the nature of reality.
Eidolon is that
rare thing, a novel with a unique and intriguing plot that has no respect for
traditional genre boundaries. The only other book I have read in recent years
of which I could say the same is China Miéville's The City and the City. While Eidolon
is complete in itself, the world the author has created clearly has far more
scope for exploration, so I was delighted to read in the interview that she is
working on the sequel. That one will go straight to the top of my reading pile!
**********************************
Another book I picked up having read good reviews was Paul
McAuley's The Quiet War, the first
of a series of four (to date). The author's name sounded vaguely familiar and
having looked up the list of his publications I suspect I may have read at
least one before – Pasquale's Angel
– although I don't remember it. So I started with high expectations but found
myself disappointed. The plot concerns a 23rd century environmental
engineer from Earth trying to set up a new biome on Callisto against a
background of tension between Earth and the colonised moons of Jupiter and
Saturn. The problem I found is that the book is very heavy on description; in
the first two chapters there are only a couple of brief snatches of
conversation, all the rest is infodump. Furthermore, McAuley is a biologist by
training, and while I always appreciate expert knowledge being applied to fiction,
he allows his enthusiasm for the nuts and bolts of biome creation to override
the priority for a good story. The pace accelerates later but the action is still
frequently put on hold for yet more technical description, and I never became
fully engaged with the characters or the plot. I was reminded of Kim Stanley
Robinson's Red Mars, which was
similarly dominated by the setting to the extent that it seemed the author was
more interested in writing a detailed "how to terraform Mars" handbook
than a novel. I persevered with The
Quiet War until I had read over 70 pages but finally asked myself "do
I want to spend a few more hours on this or would I rather stop and try
something else?" As I have a huge pile of books to read the answer was
easy, so I stopped.
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