Jonathan McCalmont's regular Future Interrupted column this time consists of a long review of
the Quatermass series by Nigel
Kneale, a genuine classic of British SF from the 1950s, written for BBC TV.
These feature a rocket scientist (Professor Quatermass) in contemporary Britain
who "continually finds
himself confronting sinister alien forces that threaten to destroy humanity"
as Wiki puts it. These rapidly achieved a cult status comparable with
the Dr Who series only more adult
and less kitsch. The first three series (The
Quatermass Experiment, Quatermass II, and Quatermass and the Pit) appeared between 1953 and 1959, with a long
delay before the final series (The
Quatermass Conclusion) arrived in 1979 on ITV. Cinema versions from Hammer
for the first three stories also appeared in the 1950s and 60s, and there was a
2005 remake of the first series for BBC4.
I must admit I have only vague recollections of seeing some of the
programmes on monochrome TV long ago, without having much idea what they were
about. More details of the productions
and plots can be found on the Wiki Quatermass page, but beware the usual
spoilers. Sadly, most of the first series has been lost, but some DVDs are
still available from UK Amazon, as are Kneale's one and only novelisation – of
the final series – plus some scripts and explanations of the series.
In the Review section Dave Hutchinson is the featured
author, along with his books Europe in
Autumn and Europe at Midnight,
which sound fascinating – definitely added to my "to buy" list. There
are some other intriguing-sounding books reviewed as well: Planetfall by Emma Newman, Ultima
by Stephen Baxter (the sequel to Proxima,
which I haven't read), and The Sand Men
by Christopher Fowler, but my reading pile continues to grow faster than I can
shrink it, so I'm trying to impose some self-discipline here… The main film
reviews are both somewhat lukewarm; of the new Star Wars film (I'm not a big fan, but I expect I'll see it
sometime) and the final part of The
Hunger Games (ditto).
On to the short stories:
The Water-Walls of
Enceladus by Mercurio D. Rivera, illustrated by Jim Burns. As I have said a couple of times
before: yet another of this author's stories concerning the relationship
between humanity and the advanced alien Wergen race, who find humans
irresistably attractive. Possibly the last we'll hear of them, judging by the
finale.
Empty Planets by
Rahul Kanakia, illustrated by Richard Wagner. An AI-controlled civilisation in
which a dissatisfied adolescent Moon resident travels to take a Non-Mandatory
Study program on Mars in an attempt to win a "bounty" for making some
valuable discovery.
Geologic by Ian
Sales, illustrated by Jim Burns. An expedition to a strange desert planet tries
to work out the meaning of an ancient, massive rock covered with carvings. More
like a brief segment from a story, but very atmospheric.
Circa Diem by
Carole Johnstone, illustrated by Richard Wagner. In a far future in which the
Earth's rotation has slowed right down, much of humanity has evolved to
hibernate through the long, dark winters. The rest live in deep
artificially-lit caverns, but the two versions of humanity carefully avoid each
other. Until a young couple happen to meet and form a Romeo-and-Juliet kind of relationship.
A Strange Loop by
T.R Napper. If you're short of money, you can sell your memories for rich
people to live through. But then you've lost them forever. What will that do to
your relationships?
Dependent Assemblies
by Philip A. Suggars, illustrated by Richard Wagner. A fantastic alternative
history set in a very different South America in which children can be made, as
machines, then given life by the magical lux potion.
An interestingly varied collection of tales this time: the
Wergen stories do nothing for me (a matter of personal taste) but while none of
the others stands out, they are all well worth the time to read. The Sales
story is particularly tantalising, as it made me want to carry on reading to
discover what happened next.
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