The Long Way to a
Small Angry Planet is the start of the Wayfarers
series. The setting is in a future in which, having trashed the Earth, what is
left of humanity is divided between settlements on Mars, and the huge Exodan
fleet cruising a galaxy which is populated by several different space-going
races; members of the Galactic Commons, which humanity had joined. The first
viewpoint character is Rosemary Harper, a young woman who is fleeing some
initially unspecified personal disaster. She joins the crew of the Wayfarer, a somewhat cobbled-together
vessel which specialises in creating hyperspace tunnels for use by space ships,
drastically shortening the time required to travel between star systems.
The story has that favourite SF theme – an old ship
travelling the galaxy with a small but wildly assorted crew including
representatives of several different alien races. Apart from the humans (the
captain, Ashby Santoso, mech experts Kizzy and Jenks, and Corbin, in charge of
the algae fuel supply) there is Sissix the pilot (from the lizard-like Aandrix
race), Dr Chef the Grum (a doomed, six-limbed race) and Ohan the navigator, a
Sianat pair – a race which was infected by the Whisperer neurovirus which made
it able to track an accurate course even in the "sublayer" which had
to be traversed until a tunnel was set up on the route. Finally, there is Lovey
the AI, who runs the ship for them as the crew direct.
At the start it seems that Rosemary will be the principal
character, but in fact she blends in with the crew and the viewpoint keeps
hopping around between members of the crew and even the aliens they meet later;
sometimes the viewpoint is that of a separate narrator rather than any of the
characters. This means that the story loses a certain amount of focus, being
more of a collective enterprise.
The story has a leisurely pacing at first, with time-outs
taken for occasional infodumps in the form of long conversations between
characters, which both fill out their personalities and explore social and
ethical issues – a theme running through the novel.
Wayfarer is given
the job of creating a new tunnel to a planet which is being fought over by
different sections of a violent race. As they approach their goal the tension
ramps up and the pace of the action accelerates. The conclusion is an emotional
ride, paving the way for the next volume. By the end of the story, the reader
has come to like and care for the disparate characters; perhaps oddly, the
captain remains the least well-known of the crew, apart from his unusual
relationship with a member of a different alien race, the beautiful Aeluon. I
enjoyed the ride, and will be buying the next volume in the series – although I
do have one belated reservation, as mentioned in the review of Volume 2 below.
*************************************
The strange thing about The
Long Way to a Small Angry Planet which I did not realise until I came to
pick up the second volume, A Closed and
Common Orbit, is that I had forgotten what it was about within weeks of
reading it; I had to read my own review in order to recall it. Even stranger, I
read the first forty pages of Volume 2 one evening, and could recall nothing
about it in the morning. Now, you may say that my advanced years are catching
up with me and I don't doubt that is true; but even so this is a rather extreme
example. I'll see if the story makes a greater impact on my memory as the
series develops.
Reviewing Volume 2 necessarily involves some spoilers
concerning the ending of Volume 1.
Incidentally, the story plunges straight into the action without any hints as to
what had happened previously, so anyone who tries to start this series with the
second volume will have trouble working out what is going on.
A Closed and Common
Orbit is a rather strange sequel, being more like a spin-off, in that the Wayfarer and its crew scarcely get a
mention, even though the story does follow-on immediately from the end of the
first volume with Lovelace, the rebooted ship AI, being transferred to an
artificial body which for all day-to-day purposes can pass as human. This is
highly illegal, which leads to a certain frisson, especially as Lovelace (now
renamed Sidra) is hard-wired to answer truthfully any questions put to her.
Most of the rest of the novel consists of two threads
followed in alternating chapters: one concerns Sidra's attempts to find a place
for herself in the multi-species environment of the plant Coriol, where she is
being looked after by Pepper (a skilled technician who we met in the first
volume); the other follows Pepper's childhood as a cloned scrap-sorter known as
Jane 23. Jane escapes from the recycling factory at the age of 10 and spends
the next nine years living among piles of scrap which cover this part of a
planet. She is aided by the AI (known as Owl) of an abandoned shuttle craft
which becomes her home. Eventually Jane escapes the planet in the repaired
shuttle, and becomes Pepper (not a spoiler, this is signalled at the start).
It has to be said that there isn't a great deal of action
going on. Jane 23's existence among the scrap-heaps is certainly memorable, largely
as a result of a substantial part of the book being devoted to describing it in
great detail. Meanwhile, Sidra's own existential issues as she struggles to
"find herself" do rather resemble a typical teenager's experience,
down to the fits and sulks which seem inappropriate for an AI. As with the first, the second volume has
various social/ethical issues scattered through it, giving an impression that
the author is plugging her personal views. The most memorable concerns the
child-rearing practices of the advanced Aeluons, who regard this task as far
too important to leave to amateurs who have other things to do, so their babies
are handed over to full-time professionally-qualified child-rearers.
The story was interesting enough to hold my attention even
though it was really not what I expected of a sequel. Although somewhat
lukewarm about the development of the series, I would probably have bought the
third volume Record of a Spaceborn Few
(this completist habit is hard to break!) but I have been tipped off that it
involves yet another set of new characters and is rather disappointing, so I'm
unlikely to be reading it.
2 comments:
i have trouble with books that copy plots and/or characters that i've loved in the past Daneel Olivaw, Firefly, Farscape, et alia... i just wondered how you deal with that?
It is often said that there are very few standard plots in fiction; the author's skill lies in using the elements in a a different way, or from a different perspective. Just think of all of those detective series, all written to a limited number of standard formulas!
Offhand, the only time when I really objected to a novel being far too close to a well-known published work was Brooks's Shannara fantasy series, which appeared to borrow very heavily from Tolkien.
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